Archives Pool CH

Hochschule für Gestaltung und Kunst in Basel / FHNW

• Spring Symposium 2024
  2023
• Master Symposium 2023 - Genders of the Forests
  2023
• Master Symposium: Genders of the Forests 2023
  2023
• Master Symposium: Genders of the Forests
  2022
• Master Symposium: Womxn In Motion
  2019
• Master Symposium
  2018
• Master-Symposium: OCEAN INTELLIGENCE
  2018
• Seminar 2: Art and The Oceans
  2018
• Grosses Symposium: Is Technology Sexist?
  2017
• Master Symposium: On Nature, Race and Gender
  2017
• The Woman Who I'd Like to Be / Die Frau, die ich gern wäre
  2017
• Kleines Symposium - On passionate curiosity. About sticks, pokemons, or manuports
  2016
• Be Head
  2016
• Seminar Art & Science
  2016
• Innocence: a symposium and a workshop
  2015
• On Intelligence and Art
  2015
• Master-Symposium: Uncreative Writing: a workshop & New Writing Group: public lecture
  2015
• Kleines Symposium: Occupy
  2014
• The Kingdom of Fools (nur für Studierende, welche auch schon den ersten Teil im HS 2014/15 besucht haben)
  2014
• Political film and video – On Feminism, Performance and Film
  2014
• Mario Merz und Robert Ryman: Werke der Raussmüller Collection
  2014
• Figuren der Gemeinschaft – Kollektive Praxis zwischen Kunst und Politik
  2014
• Begehung und Betrachtung vor dem Original
  2014
• Walk! Grossstädtische Räume, Orte und die Bewegungen dazwischen
  2013
• Aktuelle Positionen internationaler Kunst an der 55. Biennale von Venedig
  2013
• Mapping / Studio / Museum
  2013
• Zum Kunstbetrieb
  2013
• Time and Light
  2012
• Experimentelles Schreiben
  2011
• die Frau. die Kunst. das Leben 1990... 2011
  2010
• Raumtheorie
  2010
• Erotische Darstellungen der Kunstgeschichte aus dem Blick Georges Bataille
  2010
• Kosmos, Kommunikation und philosophische Gärten
  2009
• Before Art Unlimited
  2009
• Schaulager
  2009
• Kunst und Industrie
  2009
• Matthew Barney, Der Cremaster-Zyklus.
  2008
• Ausstellungspraktische Fragen mit Enrico David, Künstler (GB/I)
  2008
• Show. Die Performance-Arbeit von Alexandra Bachzetsi in der Kunsthalel Basel
  2008

Hochschule der Künste Bern / HKB

• Master-Symposium 2024 – Avant-Noir, curating contemporary Black film art and video art
  2023
• Bodily Skills Performance Skills «Postures of Attention» 2024
  2023
• Bodily Skills – Performance Skills «Expanded bodies»
  2023
• Master-Symposium – Starting (again) from scratch
  2023
• Master-Symposium – Remapping the terms of performance: body, relation, and liveness
  2023
• Bodily Skills Performance Skills «Pay attention...» – Multiple ecologies of the more-than-human
  2023
• Performance Space – Performance Stage: «Care – Considering Time II» Performance Art & Health Care
  2022
• Master Symposium – Stir it up: A two-day rehearsal on breathing as a methodology
  2022
• Bodily Skills – Performance Skills: «Care – Considering Time I» Performance Art & Health Care
  2022
• Master-Symposium / Secret studies
  2021
• Bodily Skills – Performance Skills / «How to do things with my mouth» – der Körper der Sprache
  2021
• Performance Space – Performance Stage / Ausgerenkte Kräfte – Dislocated Forces
  2021
• PERFORMANCE STAGE – PERFORMANCE SPACE: «Living Archives»
  2021
• PERFORMANCE STAGE – PERFORMANCE SPACE: SKENE / SCENE
  2021
• Topic event: Flimmern
  2020
• Bodily Skills Performance Skills: Considering Time - emit time
  2020
• Topic event: Kunst, die sich verflüchtigt
  2020
• Bodily Skills Performance Skills: Considering Time - emit time
  2017
• Topic event: Composed space
  2017
• Master-Symposium November 26th – 27th
  2017
• Medialität der Künste
  2011
• Bone-Act Vorträge und Workshops
  2011
• Atelier Literatur
  2011
• Experimentelles Schreiben
  2011
• die frau. die Kunst. das Leben 1990... 2011
  2010
• Kosmos, Kommunikation und philosophische Gärten
  2009

Haute école d'art et de design – Genève / HEAD

• Helvetropicos: ¿Desde donde miras el sol?
  2023
• The Line - An Albert Muda masterclass
  2023
• Across and beyond, in circles and backward.  Articulations to disrupt hegemonic ways of learning. (Mio Kojima)
  2023
• FULL / COMPLET Feeding Ghosts with Jonas Van Holanda
  2023
• FULL / COMPLET Stalker Genf: Re-mystification, Time Leaks and Inter-Era Communication with Hunter Longe
  2023
• FULL / COMPLET Meditative Crocheting with Sabrina Röthliserber Belkacem / Crochet méditatif avec Sabrina Röthlisberger Belkacem
  2023
• LA GRENOUILLE AU FOND DU PUIT. Une master class d’Albert Muda
  2022
• How to Disappear - FULL // COMPLET
  2022
• Society grows great when old men plant trees in whose shade they know they shall never sit
  2022
• White Paper on The Abolition of Tunnels
  2022
• Se raconter - COMPLET // FULL
  2022
• NFTs & Web3 for creative practitioners: the future is tokenized
  2022
• Listening to dissonances
  2021
• Politiser sa danse et danser sa politique avec Habibitch et Cami Girard
  2021
• How to…, DIY and Life Hack – with Johannes Büttner
  2021
• Petite fonderie avec Basile Dinbergs - COMPLET / FULLY BOOKED!
  2021
• Cercle de tambours : identité et patrimoine des Caraïbes colombiennes par La Red de Tamboreras de Suiza - COMPLET / FULLY BOOKED!
  2021
• Difference Engine: Repeating pattern, print and display – with Publik Universal Frxnd
  2021
• Dans le respect des principes démocratiquement imposés
  2020
• Publishing as social practice
  2020
• G.A.R.A.GE : Groupe d’action pour la remuneration des artistes à Geneve
  2020
• L’école est à nous
  2020
• Defense Strategies
  2020
• Potentiel photogénique. Documenter - archiver
  2020
• Marathon des techniques lentes
  2019
• Contesting violence, challenging aesthetic boundaries
  2019
• Corps sensible, Corps politique, espaCe publiC : PRAXIS
  2019
• La fabrique du sensible – Re-inventing //Trans-mission
  2019
• They Say it is Love. We Say It Is Unwaged Work. A review by 'Wages For Wages Against'
  2019
• Why make another beautiful thing (dance - drawing - ecology)
  2019
• Potentiel photogénique. Documenter - archiver.
  2019
• Institutionalisation, de-institutionalisation, anti-institutionalisation, a-institutionalisation
  2018
• Institutionalisation, de-institutionalisation, anti-institutionalisation, a-institutionalisation
  2018
• After The Ends
  2018
• Potentiel photogénique
  2018
• Il mio unico crimine è vedere chiaro nella notte
  2018
• Master TRANS – Quelles écologies pour nos pratiques collectives ?
  2018
• Prison, workshop transdisciplinaire avec R. Baur, C. Bernard & D. Guichard, H. Neves
  2018
• Radio workshop for Southern Clairaudience some sound documents for a future act
  2018
• Decolonizing Art School – Kadiatou Diallo (Master TRANS–)
  2017
• Affidamento/Rivolta Femminile
  2017
• Affidamento/Rivolta Femminile
  2017
• BE A MIME!
  2017
• TRANSPOETICS - CCC Research Master Program
  2017
• CCC Research Master Program - TRACING LIQUID EVIDENCE
  2017
• The life of an artist
  2017
• Attentionography
  2017
• WAGES FOR WAGES AGAINST
  2017
• Stubborn Materiality
  2017
• Show & Tell
  2016
• practicing without a license
  2016
• Prise illégale de visibilité.
  2016
• Connaissance tacite
  2016
• VIOLENCE AT THE THRESHOLD OF DETECTABILITY With Eyal Weizman, Eitan Diamond, Doreen Mende
  2016
• Communita Olivetti // Donatella Bernardi
  2015
• Soren Andreasen // The Digital Condition and the Transvaluation of the Aesthetic
  2015
• CAPITALISME ALIEN
  2015
• Lars Bang Larsen // The Digital Condition and the Transvaluation of the Aesthetic
  2015
• Maya Rochat / The Digital Condition and the Transvaluation of the Aesthetic
  2015
• Mariana Silva - The Digital Condition and the Transvaluation of the Aesthetic
  2015
• virtual collection & printed matter
  2015
• Collectionner l'art en famille
  2015
• Photographie &
  2015
• Dieu est un virus
  2015
• Une performance
  2014
• I caught no full-blown flower of theory
  2014
• Le monstre du Lochness, une licorne et le Yéti sont dans un ascenseur...
  2014
• Le vase de Soissons
  2014
• L'exposition d'un film / The Exhibition of a Film
  2014
• The internet book (from web to print)
  2014
• Tentative d’épuisement d’une sculpture en périphérie
  2014
• La question de la réponse ou le tram soufflera trois doigts
  2014
• Critical strategies for art institutions
  2014
• Critical museology
  2013
• Reenactment ou l'art de l'appropriation
  2013
• Un essai sur un essai sur un essai mars 2013
  2013
• Le Codex Serafinianus
  2013
• Economies of time and space in making a show spring 2013
  2013
• The Order of the Third Bird
  2013
• Where do we learn from?
  2013
• Encoding/Decoding: From Abstraction to Activism (Extended)
  2013
• Encoding/Decoding: From Abstraction to Activism spring 2013
  2013
• Rhétorique et close combat spring 2013
  2013
• Image en mouvement / image fixe, texte & légendes
  2013
• Hypnose : un nouveau média ?
  2013
• Conceptual Documentary
  2012
• Pool CH 1A – Short Cuts / Pour faire court // Pool CH 1B - Going inside Time
  2012
• Pool CH 1A
  2012
• Cultural Symptoms
  2012
• La blibliothèque est un art
  2012
• Lecture du livre de Graham Harman
  2012
• Ephemera and Webjournals
  2012
• Bombes de table
  2012
• Non-fictional Performance: Improvisation and Happening, Moving and Speaking
  2012
• Situated Knowledge: savoirs locaux et minoritaires (F & E)
  2012
• LaRadioSiamoNoi (E)
  2012
• The Remake of the Apocalypse (E)
  2012
• A world in a magazine is a magazine in a world
  2012
• Le miroir du trichoptère (F)
  2012
• CORPS – ÉSPRIT – PAYSAGE Un corps qui n’en est pas un (F/D)
  2011
• Writing Workshop with Matt Sheridan Smith (E)
  2011
• TRANS, corps comme lieu de médiation (F)
  2011
• Spectatorship is such a drag (E)
  2011
• what's your life what's your work in financial times? (E)
  2011
• TRANS et espace domestique
  2011
• Survival Kit (E)
  2011
• LE PRESTIGE
  2011
• K.K.
  2011
• Art contemporain / économie / politique
  2011
• L’artiste entrepreneur / « Der Autor als Produzent »
  2011
• The Blast of the Possible / L'espace du possible
  2011
• Workshop with Mark Lewis
  2011
• Imaging Technologies Past vs Future - Image Production
  2011
• Une polyphonie chorégraphiée (1ère partie)
  2010
• Drawing each other
  2010
• Speaking Positions/Viewing Positions
  2010
• Image I Mouvement
  2010
• Schools Without Walls
  2010
• Spécial Pratique
  2010
• Philippe Artières Archivages d'après la catastrophe [F]
  2010
• Le langage des images [F]
  2010
• Research Praxis III Information, Communication, Entertainment, Case Studies [E/F]
  2010
• Mark Lewis [E]
  2010
• Etat des lieux de la culture squat et alternative à Genève / State of the squat culture in Geneva today
  2009
• Research Praxis II Case Studies
  2009
• Archives 3: Mariana Castillo Deball [F]
  2009
• Archives 2: Christoph Keller [F]
  2009
• Archives 1: Andrea Cera [F]
  2009
• Blood, Sweat & Code [E]
  2009
• Blood, Sweat and Code – html’s(not)dead(yet)
  2009
• Art et bases de données – WORK.MASTER
  2008
• Les espaces indépendants autogérés – WORK.MASTER
  2008
• Geneva tourism I – TRANS –
  2008
• Geneva tourism II – TRANS –
  2008
• Praxis de la recherche / Research Praxis Research-Based Master Programme CCC critical curatorial cybermedia
  2008

École cantonale d'art de Lausanne / ECAL

• FULL - Workshop with Gabriel Kuri & Sofia Hulten
  2023
• Buzzing
  2022
• Mud room
  2021
• WHAT MAKES A BODY POLITICAL, DESIRABLE, PORNOGRAPHIC, VULNERABLE?
  2020
• Métamorphoses
  2020
• Layered Fiction: is/is not, have/have not
  2019
• POSTER
  2019
• Neïl Beloufa, Tobias Madison.
  2018
• Infrathin Analogy
  2016
• Mondialisation without the World
  2016
• Music Moment Markmakers Mushymushroom
  2016
• Instant Radio Show
  2016
• Labyrinthitis XSF
  2015
• BAD WEATHER
  2015
• The online tutorial : a workshop with choreographer and performer Alexandra Bachzetsis
  2015
• Faire image : laboratoire avec l'artiste Olivier Bardin
  2014
• Vertige des Correspondances
  2013
• !!Déplacé au 13-14-15 mars !! CAVERNES, CAPSULES, ÎLES, SERRES (UNE EXPOSITION)
  2013
• Multiplication Madness / Color Lab / 21 mètres
  2012
• Critique du langage, migration des corps et histoire des avant-gardes historiques.
  2012
• Château Mercier, Valentin Carron
  2011
• L'Oeuvre du serpent: rapport Nature culture / Fabrice Gygi
  2011
• Philippe Decrauzat en dialogue avec Olivier Michelon
  2011
• Morning Tea avec Sylvie Fleury
  2011
• European Art Ensemble POOL
  2011
• Artist Run Space
  2011
• Enlarge your Practice
  2010
• European Art Ensemble, séances mensuelles
  2008

Hochschule Luzern Design & Kunst

• Master Dialogues
  2019
• Exkursion nach Stuttgart
  2018
• Master Dialog / New Artistic Practices in Public Spheres: Site Specifity, Urban Tactics and Activism
  2017
• INPUT - Zusammen Arbeiten
  2015
• Public Display: Erzählformen, Aufführungskontexte und Produktionsbedingungen
  2012
• INPUT - Veranstaltung Stadtraum / Kunst
  2011
• INPUT - Veranstaltung Stadtraum / Kunst
  2010
• Theory and Practice:
  On the Theme of Art and Public Spheres
  2008

École de design et Haute école d'art du Valais / EDHEA

• Transformations through 'Deathstar': A Sound and Material Perspective
  2023
• Displaced Objects
  2022
• Ways of Knowing
  2021
• That which Manifests
  2020
• STALKER / Rome
  2019
• Narrating the Archive: Alpine essays A proposal from Mabe Bethônico
  2018
• Mikhail Karikis
  2017
• MIGRATING MODERNITIES II Unpacking the Undercommons
  2015
• A Story Too Big For Me
  2015
• Public Sphere I
  2012
• OVERTURE (ouverture)/ OPENING
  2011
• Culture et méthodologie de la recherche en art I
  2011
• Copier - créer
  2011
• Pool I - The Paradox of Acting (E)
  2010
• Research Praxis III Information, Communication, Entertainment, Case Studies [E/F]
  2010
• Pool III - Intervention Hannes Brunner (E)
  2009
• Pool II - Les nouveaux fronts de la sphère publique : économie, écologie, politique (F)
  2009
• Pool I - Art, espace et contexte (F)
  2009
• Pool 2 - Les nouveaux fronts de la sphère publique : économie, écologie, politique
  2009
• Perspectives de l'art public
  2008
• Lecture et analyse
  2008
• Call and response
  2008
• Altérations et mutations des espaces publics (Médias mobiles)
  2008

Zürcher Hochschule der Künste / ZHdK

• Pool 1: Art & Body Studies (gLV)
  2024
• Pool 2: Art & Research (gLV)
  2024
• Pool 3: Art & Poetry (gLV)
  2024
• Pool 8: Art & Labour (gLV)
  2024
• Pool 9: Art & Working Models (gLV)
  2024
• Pool 1: Art & Painting (gLV)
  2024
• Pool 2: Art & Documentary (gLV)
  2024
• Pool 3: Art & Image (gLV)
  2024
• Pool 4: Art and Poetry (gLV)
  2024
• Pool 5: Art & Transhumanism (gLV)
  2024
• Master-Symposium: Hope and Labour. Artists Working (for) Futures
  2023
• Pool 1: Art & What Artists Do (gLV)
  2023
• Pool 2: Art and Post-/Coloniality (gLV)
  2023
• Pool 4: Art & Philosophy (gLV)
  2023
• Pool 12: Art & Research (gLV)
  2023
• Master-Symposium: When History Is Yet The Present
  2022
• Pool 3: Art & Investigative Aesthetics (gLV)
  2022
• Pool 6: Art & Philosophy: Events (gLV)
  2022
• Pool 7: Art & Research (gLV)
  2022
• Pool 8: Art & Action (gLV)
  2022
• Pool 9: Art & Textile (gLV)
  2022
• Pool 2: Art & Society: Art in Action (gLV)
  2022
• Pool 4: Art & Book (gLV)
  2022
• Pool 9: Art & Research (gLV)
  2022
• Pool 11: Art & Film: Queer Subjectivities as Content and Form (gLV)
  2022
• Pool 2: Art and Techno-Ecologies (gLV)
  2021
• Pool 4: Art & Performativity (gLV)
  2021
• Pool 10: Art & Radical Love (gLV)
  2021
• Master-Symposium: Touching Ground
  2021
• Pool 5: Art & Production: The Object As Is (gLV)
  2020
• Pool 6: Art & Law: Law as an Artistic Medium (gLV)
  2020
• Pool 7: Art & History: Artonomy - The History and Theory of Autonomy in the Arts (gLV)
  2020
• Master-Symposium: Speculative Futures: Are We Burning Our Past?
  2020
• Pool 1: Camera - Method - Attitude
  2020
• Pool 2: Contemporary Painting
  2020
• Pool 3: Die Wahrheit in der Malerei - Rahmen denken
  2020
• Pool 4: Ornament -
  2020
• Pool 5: We are Institution
  2020
• Pool 6: In The Liminal Space towards a Sustainable Future
  2020
• Pool 7: PhD in Artistic Research - In Practice and in Theory
  2020
• Master-Symposium: Speculative Futures: Are We Burning Our Past?
  2020
• Pool 2: Beyond Knowing
  2019
• Pool 3: Artistic Research – In Practice and in Theory
  2019
• Pool 5: Get Up, Stand Up
  2019
• Pool 6: Post-Blockchain: Art and the Politics of Entanglement
  2019
• Pool 7: Deep Time
  2019
• Pool 8: The Wise Fool
  2019
• Pool 9: TEXT WORK: On Artists’s Writing
  2019
• Pool 10: Money – Body – Time – Space
  2019
• Master-Symposium: Molekulare Ästhetiken / Molecular Aesthetics
  2019
• Pool VIII: Different Every Time
  2018
• Pool VI: Decolonization & Institutional Critique
  2018
• Pool XIV: KünstlerInnen - KuratorInnen
  2018
• Pool III - Fundamental Concepts of Aesthetics (E)
  2012
• Pool I - Martin Heidegger, Der Ursprung des Kunstwerks – Verständnis / Bedeutung / Aktualität
  2012
• Pool II - Against Interpretation/Against Information
  2011
• TS IV - Verloren in der Interpretation?
  2011
• Pool IV - Global, World and Contemporary Art (D)
  2011
• Pool VII - und oder mit (D)
  2009
• Pool V - sonic spaces (D)
  2009
• Pool IV - outside - inside / inside - outside
  2009
• Pool III - Input Performance (D/E)
  2009
• Pool I - Risiko. Prekarisierung und Ästhetik der Existenz (D)
  2009
• Pool VI - Reclaim aesthetics (D)
  2009
• Art Basel – Eine Analyse
  2009
• Curate the show
  2009
• Raum und Urbanität
  2009
• Appropriate, reenact, overidentify - or die!
  2008
• WEST-ÖSTLICHER DIWAN Transkulturalität – am Beispiel Europa-China
  2008
• Kolloquium : Phantasie / Imagination.
  Produktivkräfte künstlerischen Arbeitens
  2008
• Handlungsorierentierung und Postproduktion
  2008